Tucked behind the busy streets of Port-au-Prince’s Grand Rue, is a vibrant artist community known as Atis Rezistans. This art collective transforms discarded materials — engine parts, rubber tires, electronics, medical waste, scraps of wood and even human remains — into art that reflects the complexities of Haitian culture, Vodou traditions and current events. The community, led by artists Jean Herard Celeur, Andre Eugene and Guyodo, have redefined contemporary Haitian art.

During my time in Port-au-Prince, I became friends with Guyodo. At the time, he ran a small art school for children. It offered a creative outlet and a place to focus on something other than the trauma and loss they experienced after the earthquake. His dedication to the next generation of artists was inspiring and reflected the community’s belief in art as a tool for transformation.

The artists of Grand Rue also play a central role in the Ghetto Biennale, a biannual festival founded with the help of British artist Leah Gordon. The event brings together international and local artists in an artist exchange. It also attracts tourists and art buyers who help support the micro-economy of the community.

All photos were taken in cooperation with local residents.